La Fenice's "table work" is primarily about reviewing the scenario as advocates for the stock characters we're playing. In its earliest stage, our scenarios are extremely malleable, so we like to tackle any problems with plot in a character-driven sort of way.
While we do a more "formal" table-work session at the start of the rehearsal process, it usually comes at the end of a series of more informal ones, like this one over beers last week between Genevieve Kinney, who is playing Ruffiana in our next show, Aaron Johnson, our Artistic Director, and Kate Meehan, our Managing Director.
[It's rather important to understand that the bulk of this conversation is underscored by a lot of AC/DC and Guns and Roses from the juke box.]
Genevieve: I had a lot of fun with Columbina from For Whom the Dong Tolls, and Gian [Giacomo Colli] said that, well, really, I was playing Ruffiana. And so, what is that, what's the difference? Why was she a Ruffiana and not a Columbina? And then, this Co...